The CAD/CAM, Adobe Illustrator, vector language aesthetic has been extremely influential in my understanding of how drawing and sculpture comes to be. The idea that all form can be quantified as a collection of infinitely scalable lines and points is changing the way I perceive form. This raises the question of whether or not the "hand" of the maker is still necessary to create meaningful work. Right now, I think of my hand as a tool that I can use to distort an idealized form through the shortcomings of my own precision.
1 comment:
Interesting stuff!
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