The profile of a simple vase is drawn, and extruded along itself. The resulting piece has a footprint which is the same is it's cross-section
Sunday, February 24, 2008
Renderings
The profile of a simple vase is drawn, and extruded along itself. The resulting piece has a footprint which is the same is it's cross-section
Friday, February 15, 2008
Dinner for Ari & Jeannine
Since yesterday was Valentine's day, I decided to put together a special meal for some special friends. Here's what was left after the smoke cleared:
Maple poached tofu, tuna bacon.
The picture doesn't do this justice... it was actually quite good, I swear
Cream of white asparagus & shallot
Apple, manchego, honey
A variation of a Korean ssam bap; baby bok choy, rice, omelette, toasted nori, gochujang
Flatbread, tomato fennel puree, mozzarella, homegrown micro greens
Pan-seared tilapia, mango jalapeno slaw, Chalula mayonnaise
Lemon sorbet, blood orange reduction, fennel whipped cream, candied ginger
Saturday, February 9, 2008
A Painting
Tuesday, February 5, 2008
New work
I designed these vessels... or mass-els (thanks D Schafer) from a profile of a traditional Korean vase form. Each piece uses the same profile, but using a different shape as the footprint. Thirty-two 1/8" slices of MDF were cut on a laser plotter, then assembled and smoothed with wood filler. It was my original intention for these prototypes to be used for a plaster mold, and eventually cast in porcelain. However, I am more interested now in the forms in their solid, unfinished state.
These six paintings were shown in my last critique, along with the laser-cut vessels above. The idea of understanding and constructing form between two and three dimensions, as well as an interest in developing systems and templates for realizing form has been consistent in my painting, sculpture and design work.
These six paintings were shown in my last critique, along with the laser-cut vessels above. The idea of understanding and constructing form between two and three dimensions, as well as an interest in developing systems and templates for realizing form has been consistent in my painting, sculpture and design work.
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