I just posted 30 or so images of new-ish 2-D work here
The CAD/CAM, Adobe Illustrator, vector language aesthetic has been extremely influential in my understanding of how drawing and sculpture comes to be. The idea that all form can be quantified as a collection of infinitely scalable lines and points is changing the way I perceive form. This raises the question of whether or not the "hand" of the maker is still necessary to create meaningful work. Right now, I think of my hand as a tool that I can use to distort an idealized form through the shortcomings of my own precision.
Friday, December 28, 2007
Wednesday, December 26, 2007
Digital
The last few weeks I've been experimenting with the laser cutter, and generating form with 3d rendering software. Here's a few shots:
The information extrapolated by tracing the profile of a traditional vase form is used in creating both the footprint and the interior silhouette. I would love to see this piece as a 20-story building.
The information extrapolated by tracing the profile of a traditional vase form is used in creating both the footprint and the interior silhouette. I would love to see this piece as a 20-story building.
Sunday, December 9, 2007
On Measuring and not Measuring
A few photos from an piece that I made for a show called 'Necessity: Mother of all Invention"
Materials include high-fired stoneware rods, raw clay vessels, thread, wood, foam, clamps, tape, drawing, plaster, acrylic, and rubber. I will post more images of the show soon. Perhaps a catalog will become available.
Materials include high-fired stoneware rods, raw clay vessels, thread, wood, foam, clamps, tape, drawing, plaster, acrylic, and rubber. I will post more images of the show soon. Perhaps a catalog will become available.
Friday, November 30, 2007
Tuesday, November 27, 2007
Post-Heart Daybook
Post-Heart Daybook is a (thoughtfully) disorganized journal of my studio work and thought process during 3 weeks between my 1st and 2nd critiques this semester at Cranbrook. The book has 115 pages of images and is available at lulu.com
Thursday, November 15, 2007
Newness
Notice how the 'manliness' of building your own table can be easily canceled out by adorning the new table with a very pretty pink chair.
Plastic casts from my homemade (but legit) vacuum former. I will talk about how I made that machine, but it is a post for another day.
Plaster casts taken from vacuum-formed plastic molds. To be eventually realized in slipcast porcelain.
Modular painting study. Gouache & acrylic on wood panels
Plastic casts from my homemade (but legit) vacuum former. I will talk about how I made that machine, but it is a post for another day.
Plaster casts taken from vacuum-formed plastic molds. To be eventually realized in slipcast porcelain.
Modular painting study. Gouache & acrylic on wood panels
Wednesday, November 14, 2007
Friday, November 9, 2007
Week 9
Saturday, November 3, 2007
Dinner for Anders
Danish ceramic artist Anders Ruhwald came to Cranbrook this week to lecture and meet with us. Michelle Lee and myself, both admitted kitchen control-freaks, decided to collaborate on a meal for him. I produced a set of handbuilt porcelain dinnerware for a 4-course meal, and a menu was designed around the dishes.
Small Plate: Roasted root vegetables, herbed chevre fritter.
Homage to Effie Ophelia
Small Plate II: Tuna sashimi, twice fried Japanese eggplant,
wasabi aoli (Notice Michelle's handmade chopsticks)
Main: Panko dusted grouper, green apple licorice,
jalapeno & sesame seeds, beet stem
Sweet: Pound cake, passion butter, raspberry, aromatic bitters, fennel
Small Plate: Roasted root vegetables, herbed chevre fritter.
Homage to Effie Ophelia
Small Plate II: Tuna sashimi, twice fried Japanese eggplant,
wasabi aoli (Notice Michelle's handmade chopsticks)
Main: Panko dusted grouper, green apple licorice,
jalapeno & sesame seeds, beet stem
Sweet: Pound cake, passion butter, raspberry, aromatic bitters, fennel
Wednesday, October 31, 2007
Monday, October 29, 2007
Brick Project (continued)
Wednesday, October 17, 2007
Week 6
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